A good photographic practice is to go out on an outing with only one lens. That’s what I did recently with a couple of photo buddies. Since I recently did a post for Lens-Artists on Macro, I thought I should take some macro photos.
That’s how we ended up at Thompson Building Materials and Nursery in Sacramento. This is mainly a commercial business. They had a large amount of outdoor statues and other ornamental items. With my 80 mm prime lens was slightly restricted, I had to move back (get a wider angle with my feet) or get a partial of the item. A macro lens can be used for other types of photography!
Now for the flowers. Some of these may be from Green Acres Nursery also in Sacramento. Being more of a residential nursery they had more flowers. So the following is a mixture from both businesses.
I do love macro/close up photography. Take care everyone!
Just look around, patterns make up our scenery. It may be buildings, trees or seating. As photographers, we all look for repetitive lines whether linear, curved or squared. Or, as Ann Christine says, “striped and checked” in her challenge this week.
I’m not too fond of fog when I’m driving, but when I have my camera in my hand, I love it. On one foggy morning we (Marlene, Linda, Ray and I) ventured out to two local parks hoping to get foggy images.
The fog was lifting when we arrived at Boulder Ridge park in Rocklin, but still thick enough to block the visual of most of the park. This time of the year, the trees are bare and stand tall against the fog.
This large park is popular with locals. But it was damp and cold while we were there, and the hillsides weren’t visible. When we couldn’t see the rest of the park, we left and followed in our cars to Coyote Pond in Lincoln. The fog had lifted there and the beauty of this small neighborhood park was waiting for us.
It’s great that we have such beauty easily accessible in these COVID days.
Patti’s challenge of Emotions was a true challenge for me. Wow, where do I start? Right now here in the U.S. emotions are all over the place from the pandemic to politics to what do I make for dinner! I went out on a photo shoot this morning to ground myself. It worked. Photography is my get-away-from it all.
While searching in my archives for street photography, I realized there were none from last year. I’m thinking I’m lucky to have photographed what I did in 2020. So here are images that I think depict or evoke emotion.
Anticipation. My younger granddaughter is waiting for her birthday party guests to arrive.
I started writing this blog last Wednesday. Then the unthinkable happened. I couldn’t continue after the U.S. Capitol Building was stormed and taken over by an angry, hateful, destructive mob. This resulted in an insurrection against the U. S. Government. Worse, was to see these people on the news wearing t-shirts that spewed out hate and urging killing of more people. (Five died that day.) My heart broke Wednesday. It’s been a week, and I realize that we must go on.
I did write a post for Lens-Artists on Saturday, and that helped. Fortunately, that was written and approved before the insurrection. The response brightened my days, and now I can do this post. So let’s talk about the monopod success!
Richard and I drove up to the Sacramento National Wildlife Refuge a couple of weeks ago. Photo buddy Ray was kind enough to make me a short monopod for my Nikon and 300 mm, F/4 lens in hopes I could handle the weight better. With Richard as driver and spotter, we went forth.
The hand-held mono pod helped me a great deal. The camera didn’t shake when I held it up. It was amazing. Thank you Ray!!
Here are some images I was able to capture:
I’m so proud that I was actually able to spot a lot of these, but having Richard drive freed me to move around in the car. You can’t get out of your car on the one-way route.
Think big! Don’t sweat the small stuff! Did you want to super-size that? In today’s world, we are taught to think BIG. We go for the big SUV, the big sale and the big burger. In photography, we learn to shoot large landscapes with a wide-angle lens.
Donner Lake in Winter
But what about thinking small? Let’s talk about macro photography.
What is macro photography? What is micro photography? Are they different from close-up photography? Have I confused you? I’ll give you a hint, two are the same and one is different. Let’s delve into the subject.
Close-up photography takes a subject and zooms in on it. Usually the subject is small, like a plant or an insect, but it could also mean getting close to someone’s eye or face as a subject. The picture is taken with any lens. I’ve taken close-ups with a nifty fifty on a crop sensor camera.
A close-up image taken with an 18-200 mm lens, shot at F/5.6.
Typically, these types of images fill the frame. However, I’ve put flowers or part of flowers off to the side. Shooting with a 200- or 300-mm lens can give you almost macro quality.
This flower was shot at 200 mm at F/5.6.
Macro photography refers to a picture taken with a dedicated macro lens yielding a magnification ratio of 1:1. Meaning, the image depicted on your camera’s sensor is in its actual size. When printed, the subject appears life-sized. This type of photography is used especially when we shoot something exceedingly small or want to capture an extremely small part of it.
Hint: If you want just part of a subject in focus, use a lower F stop (meaning F/number) to get the entire macro subject in focus, use a higher F stop.
The praying mantis in this image appears life-sized as does the part of the flower it’s feeding on. It was shot with a 105 mm macro lens at F/16.
The leaf in this image was shot with the same macro lens, but at F/2.8 creating a more shallow depth of field.
Micro photography is the same as macro photography. Camera manufacturers use the terms interchangeably. You might say that a macro lens takes a picture of a micro subject! I borrowed that last phrase!
One big difference between close-up and macro shooting is breeze. For close-ups you can shoot in a slight breeze because the regular lens isn’t as sensitive as a macro lens. When shooting with a macro lens, any movement in the subject will result in blur. Often, I’ll just take my 55-200 mm lens out when there’s a slight breeze. I can still get nice close-ups.
Oh, yes, everyone says you need a tripod. Confession, I’ve never used one for macro. In fact, I hardly use one at all. However, you will need a steady hand and fast shutter speed.
Now we’ve covered the macro, micro and close-up differences, and you are wanting a macro lens, let’s talk about options. Macro lenses are expensive but there are less expensive alternatives. Extension tubes or reverse ring adaptors to turn your regular lens around are much less expensive options. Personally, I decided against either option and bought a used macro lens for my Nikon D7100. When buying used, be careful. Buy from a store that will let you return it within 90 days if not satisfied. Also purchase one that will give you a 1:1 ratio.
For my Fujifilm camera, I treated myself to a new macro lens, knowing I would use it a lot. It’s a prime 80 mm but still shoots at a 1:1 ratio.
So, which two are the same and the other different? The answer: macro and micro photography are the same and close-up photography is different!
This week’s challenge is to take your camera for a walk around your yard or home and shoot some close-up or macro shots. Too cold, too wet, too busy? Feel free to choose some images from your archives. Be sure to link your response to my original post, and to use the Lens-Artists TAG to help us find you. I’m looking forward to seeing what you come up with.
This challenge from Tina Schell of Travels and Trifles seemed easy at first, but when I started digging through my photos, the challenge became emotional and difficult. The pandemic wove its way into our lives touching all aspects even photography. There were fewer outings, no lunches afterwards, less day trips. Picking the favorites out of a challenging year was tough.
Our photo shoots mainly consisted of meeting at the designated place shooting masked and then going our separate ways. The Vietnam Veterans Memorial at the World Peace Rose Garden in Sacramento reached deep into my soul since my husband served in Vietnam. This piece particularly touched me. A prisoner waiting for what?
I did take two longer trips. One with husband Richard as we searched for the beautiful California poppy and one with my friend Jean as we looked for Fall color, but instead found this beautiful lake.
Out again with our small group, we searched for Fall color before it disappeared. As we were going home, we came upon this.
But my favorite is the simple love of a child for her mother. In this case the child is Glory, 6-weeks I think when this was taken, and her mother. This was taken at the Sacramento Zoo. I call it, “This is MY mommy!”
And so, we are now two days into 2021 and things are looking up. We have vaccine choices in the works and hope. Take care and stay safe!