Lens Artists Challenge #199: Mechanical/Industrial

When I first read this week’s challenge from John, Journeys with Johnbo, I immediately thought of the Folsom Powerhouse State Historic Park in Folsom. It wasn’t our destination, but we came upon it while visiting the Old Town of Folsom. And just our luck, the docent was on his way down to open the facility.

The Powerhouse is located on the American River. Here’s how it looks on the outside.

Before I take you inside, please read this brief summary of the Powerhouse history from our favorite online encyclopedia–Wikipedia. It says it better than I can.

Folsom Powerhouse State Historic Park is a historical site preserving an 1895 alternating current (AC) hydroelectric power station—one of the first in the United States.

Before the Folsom powerhouse was built nearly all electric power houses were using direct current (DC) generators powered by steam engines located within a very few miles of where the power was needed. The use of rushing water to generate hydroelectric power and then transmitting it long distances to where it could be used was not initially economically feasible as long as the electricity generated was low-voltage direct current. Once it was invented, AC power made it feasible to convert the electrical power to high voltage by using the newly invented transformers and to then economically transmit the power long distances to where it was needed. Lower voltage electrical power, which is much easier and safer to use, could be easily gotten by using transformers to convert the high voltage power to lower voltages near where it was being used. DC power cannot use a transformer to change its voltage. The Folsom Powerhouse, using part of the American River‘s rushing water to power its turbines connected to newly invented AC generators, generated three phase 60 cycle AC electricity (the same that’s used today in the United States) that was boosted by newly invented transformers from 800 volts as generated to 11,000 volts and transmitted to Sacramento over a 22 mi (35 km)-long distribution line, one of the longest electrical distribution lines in the United States at the time.”

Leave it to me to photograph close ups of wheels and gears once inside. This is just part of my fun.

Now for the rest of the inside. I wish I understood more about the use of all the equipment. If you want, you can read more about it here.

Let’s go back outside for the final photograph. Here you can see the transformers that sent electricity all the way to Sacramento.

Thank you John for giving us such an interesting topic. I’ve already read some of the replies and have been captivated. When you post your reply, remember to link to John’s original post and use the Lens Artists tag. Next week Next week, it’s Amy’s turn to host our challenge, so be sure to visit her site. If you’d like to join in our weekly challenges just click here.

Springtime at Ananda: Crystal Hermitage Garden, Part 2

We are back at Crystal Hermitage Garden, Ananda Village in Nevada City. In my last post, I showed you the tulips planted by the volunteers and promised to show you more of the grounds. Well, I’m keeping that promise. Tulips are planted in October and bloom in April when the Tulip Festival is held. As of this writing the Festival is over, but many people enjoyed its beauty for the month and a half it was available.

The Garden is on three terraced levels. The bottom gives us a view of the mountains. In one picture you can see the gold top of the Temple where members and guests can meditate/pray.

The middle level shows the lovely gardens, pool, and gazebo.

The top level continues with rows of tulips and a small church.

This ends the 2022 tour. Hopefully, in 2023, they will plant again in October and receive guests in April.

Lens-Artists Challenge #198: Light and Shadow

“In layman’s terms, photography is quite simply the process of capturing light with a camera to create an image.”… PhotographyTalk.com

When you read the above quote, you realize that Patti’s challenge of Light and Shadow goes to the essence of what we do as photographers. We can’t take a picture without light or the absence of it, shadow.

In fact, in black and white photography you absolutely need the contrast between light and shadow. The image below is Waterton Lake in Waterton Lake National Park, Canada. The success of it in black and white relies on the light, shadows and contrast.

Next we have a sculpture at the River Walk in West Sacramento. On the left see it as it really is, and on the right see the shadow it casts.

Light can also add character to a subject. The way the light hits this old wheel adds to its texture and age and adds shadows.

This aging sculpture in the Sacramento Historic City Cemetery is back lit. The sun almost adds a halo effect.

Just changing your perspective changes the image. The feeling of this iconic sculpture in Roseville taken in bright sunlight changes when taken from a different side and in the shade.

And, finally, what do we do when there is no light? We use artificial light. The Tower theater’s sign is shining bright in neon in Downtown Roseville, and a Christmas display lights up this fake house front, putting the people in shadow.

How we use light and shadow creates our own personal photography style.

Thank you Patti for this fun post and bringing us back to the basics of photography. When you post your reply, remember to link to Patti’s post and tag Lens-Artists. Next week’s challenge will be presented by Ann-Christine through her Leya site. So stay tuned!

 If you would like to participate weekly in our Lens-Artists Challenge, just click this link and join us: https://photobyjohnbo.wordpress.com/about-lens-artists/

During rain storms: Crystal Hermitage Garden

We had our fingers crossed because this year, after a 2-year hiatus because of the Covid-19 pandemic, Ananda Village, in Nevada City, opened their beautiful garden to us. Each year volunteers plant and care for beautiful tulips in the Crystal Hermitage Garden. This year we had to buy tickets online for a specific date and time. I think that was wise so they could handle all the visitors after a 2-year close.

Why did we have our fingers crossed? It rained for days before we were to go and was drizzling the morning we left. We didn’t get rained on, but it was cloudy and sometimes sunshine poked through. We were in luck and the tulips had lots of water drops on them.

This will be a 2-part post. Here are some of the tulips we saw.

Next week, I’ll show you the wonderfully landscaped grounds and more tulip beds. Oh, I’m not complaining about the rain. It was welcome since we are in a drought year. I think we will still be rationed this summer.

Lens-Artists Challenge #197: The Rule of Thirds

Not only haven’t I taken a photography class, I tend not to follow rules when it comes to photography. I just go with what looks good to me. I think it helps that I spent 20 years in business with a graphic artist (I was the writer.) and learned the basics of doing a flyer layout: have an odd number of graphics, avoid having text run down the center of the page (tunnel vision), and spread your text around the page.

This week Tina introduces us to the Rule of Thirds. The reason for this rule is basic–it helps us compose pictures that are pleasing to the eye, avoiding symmetry. But sometimes it’s better to have an image that is almost symmetrical or totally symmetrical.

Let’s see what I did in 1918.

Here are some floral examples. One is definitely centered. Although the second flower is centered, the water drop is not and it is the focal point. The last one is not centered, taking up 2/3 of the frame.

Next let’s look at some wildlife. The Canada goose in the left side of the image, giving it room to fly away. The small burrowing owl is centered but looking toward the left side of the frame. They are so small that a good crop was needed to show detail.

Landscapes are the most fun. In the first image, a white boat starts out in the lower left of the picture. You know where it is going! The second image starts out in the lower right corner with the road that takes you through the mid section and back to the right. The third is symmetrical taking us right up to and through the gate.

Sunsets can also be asymmetrical.

Portraits can also be off center. I did ask her parents permission to photograph her. I think by the way she posed, she’s had her picture taken before! Notice there’s a little room to her left.

So, yes, I break rules, but I sometimes follow them. It all comes down to what looks good to me!

Thank you Tina for giving us the nudge to look at how we compose and whether we can do anything different. When you post your reply to this challenge be sure to link to Tina’s original post and use the Lens Artists tag. Next week Patti will lead us next week with a Light and Shadow challenge.

 If you would like to participate weekly in our Lens-Artists Challenge, just click this link and join us: https://photobyjohnbo.wordpress.com/about-lens-artists/