Patti’s motion challengepropelled (good motion word) me to try panning which is why this response is just a little late. My experiment of panning a car as it past by was a dismal failure. Therefore, there won’t be any panning in this post. But I will not give up! Someday there will be a panning image in a post!
So back to other forms of motion.
Stop action. A fast shutter speed usually works. I’ve even tried continuous shutter. Here are some examples.
Next is slow shutter speed which blurs the action. I do enjoy playing with this type of photography.
And I do like creating motion by zooming my lens. Try it when your at a carnival, out at night around neon signs or during Christmas time when all the lights are shining.
So there’s my photographic range of motion. Thank you Patti for this fun challenge. I will be working on learning how to pan and welcome any advice. When you reply to this challenge be sure to link to Patti’s original post and use the Lens-Artist tag. And thank you all for joining in with your groovy images last week. It was fun seeing what motivates you. Next week Amy will present the LAPC Challenge. Be sure to look for her post.
Interested in joining the Lens-Artists challenge? Click here for more information.
What’s your photographic groove? What type of photography do you truly enjoy doing? I didn’t really know the answer to that question when I first began photography, and it took me a while to find it!
I realized my photographic groove when I bought my Fujifilm XT3. I had all sorts of lenses for my Nikon D7100—ultra-wide, macro, telephoto, and the zoom from 18 – 200 mm. I could photograph all I wanted with those lenses.
First, I found I hardly ever used my ultra-wide lens, my landscape shots didn’t warrant it.
The prime F/4 300 mm was used maybe four times a year at wildlife areas.
The macro was used when I was around flowers and insects.
My walk-around lens, the 18 – 200 mm was used the most.
When I switched to the Fuji two years ago, I bought the two lenses that would give me the same range as my walk around Nikon lens. I wanted a third lens, but which one. After trying a couple, thank you Action Camera in Roseville, I settled on a macro lens. I quickly sold my Nikon macro. No need for redundancy. I’ve thought about buying another Fuji lens but why. If I want a telephoto or ultra-wide, I still have my Nikon set up.
I quickly realized how much I was enjoying the macro lens.
So, what’s my photo groove? Macro. I love shooting macro. It’s a challenge that I enjoy even on breezy days. I still go after great landscapes, sunsets, and wildlife. But when it comes down to it, macro Is my photographic groove.
Now that I’ve told you my story, what’s your photo groove? What gives you that sense of accomplishment? Of joy? Of completion? Your challenge this week is to show and tell us about what type of photography you enjoy the most. I used my choice of lenses to find my grove. You may have a different way. If you don’t have a favorite, that’s okay. Show us your wonderful images and tell us about them. Who knows, doing this exercise may help you realize your photo groove.
Thank you guest host Sarah Wilkie of Travel With Me for the exercise of picking out three of our favorite images. And thank you to all of our other wonderful July guest hosts, Aletta, Jez, Andre and Tracy. When you reply to this challenge, please link to this post and use the lens artists tag. I’m looking forward to seeing your groovy photos. As your LAPC team resumes our rotation, Patti will present next week’s challenge. Be looking for her post. In the meantime have fun and stay safe in your travels.
When you have thousands of pictures, how do you pick just three? It’s difficult, but Sarah of Travel With Me has given us this challenge. I’ve taken it on and here are my three.
My first photo is of Waterton Lake, Waterton Lakes National Park, in Canada. I like it because when I decided to try processing it in black and white, it took on a whole new dimension, almost like a sketch. I love black and white, so when I think an image has a tonal quality that may fit, I try it. Sometimes it doesn’t work, but this time it did. I typically process black and whites in NIK Silver Efex. This won a prize in the Motherload Fair, Sonora.
Next is a macro that almost took first place in the In Focus competition. This means it made it to the final table. That doesn’t matter to me because I just like it for the color, seeing the hair on the leaf and the water drop that’s just hanging on. I process all my photos in Lightroom and may have brought this into NIK Color Efex. I just can’t remember. I’m sure I’ve posted this before in an LAPC post. This is truly one of my favorites.
My third image is definitely a recent favorite of mine. I love the flamingos at the Sacramento Zoo. I had already taken a few photos of them, looking for a “keeper.” I was thinking sometimes you’re just not in the right place at the right time. I was talking to a docent about the birds who were taking their naps and this one opened one eye and looked at me. I’m so glad it opened it again after I got my camera in position. This time I was in the right place at the right time! This was processed in Lightroom and Topaz sharpener AI. It did take “Picture of the Night” at the Sierra Camera Club general competition.
As I said, I have many more favorites. This was a difficult challenge Sarah, but worth the exercise. Thank you! Remember to use the Lens-Artist tag when you post your reply and link to Sarah’s original pose. Tracy’s Surreal challenge last week brought us many amazing photos to look at. I’ll be posting next week’s challenge, so be sure to check back.
This challenge given to us by Aletta, of Now At Home, brought me back to 2020, the year of lockdown. There are many things I treasure like family, friends, health and our pets. But in 2020 one thing was clear, I truly treasured my weekly photo outings. My senior photo buddies and I created a photo pod and went out in our cars (some separate and some together), met at a designated outdoor spot and spent a couple of hours enjoying photography. Later we would have lunch outdoors (when restaurants opened to outdoor service)–a perfect ending to a brief respite.
I’m showing you some images from my 2020 calendar. I’m sure a lot of these are repeats, but I treasure each and every one of them. If it weren’t for photography, I would have been clawing at my front door, screaming “Let me out!”
Fortunately, my front door doesn’t have any claw marks thanks to photography and friends!
Thank you for all the great interpretations of last week’s challenge “The eyes have it.” I enjoyed them all. When you respond to Aletta’s challenge, please remember to link to her post and use the Lens-Artists tag. Next week Jez Braithwaite of Photos by Jez is hosting Seeing Double so be on the lookout for his post.
What can I say. May was sometimes good and sometimes disappointing–for photography. I’ve taken you on many Yolo Art & Ag farm tours and this one of the M3 Ranches in Woodland promised such varied crops like olives, garlic, almond trees, agave plants and more. How exciting! Well, maybe not.
The first clue was there was no greeter to take our names. The roads were open and we drove around them. I’m thinking maybe we missed something???
We did find the almond trees. At least we think they are almonds.
Then we found a pond that they call their oasis.
And now the agave plants.
The grape vines already had fruit.
I think these are the olive trees. Someone correct me if I’m wrong.
I’ll end with some of the vistas I photographed.
Working with the images for this post, I’m thinking it wasn’t such a disappointment after all.
Not only haven’t I taken a photography class, I tend not to follow rules when it comes to photography. I just go with what looks good to me. I think it helps that I spent 20 years in business with a graphic artist (I was the writer.) and learned the basics of doing a flyer layout: have an odd number of graphics, avoid having text run down the center of the page (tunnel vision), and spread your text around the page.
This week Tina introduces us to the Rule of Thirds. The reason for this rule is basic–it helps us compose pictures that are pleasing to the eye, avoiding symmetry. But sometimes it’s better to have an image that is almost symmetrical or totally symmetrical.
Let’s see what I did in 1918.
Here are some floral examples. One is definitely centered. Although the second flower is centered, the water drop is not and it is the focal point. The last one is not centered, taking up 2/3 of the frame.
Next let’s look at some wildlife. The Canada goose in the left side of the image, giving it room to fly away. The small burrowing owl is centered but looking toward the left side of the frame. They are so small that a good crop was needed to show detail.
Landscapes are the most fun. In the first image, a white boat starts out in the lower left of the picture. You know where it is going! The second image starts out in the lower right corner with the road that takes you through the mid section and back to the right. The third is symmetrical taking us right up to and through the gate.
Sunsets can also be asymmetrical.
Portraits can also be off center. I did ask her parents permission to photograph her. I think by the way she posed, she’s had her picture taken before! Notice there’s a little room to her left.
So, yes, I break rules, but I sometimes follow them. It all comes down to what looks good to me!
Thank you Tina for giving us the nudge to look at how we compose and whether we can do anything different. When you post your reply to this challenge be sure to link to Tina’s original post and use the Lens Artists tag. Next week Patti will lead us next week with a Light and Shadow challenge.
Color! It motivates, depresses, and makes us happy. Marketing companies know the effect color can have on our emotions. Just look how it’s used in print and television ads. Bright colors are usually used to get us to buy—now. More subdued colors are used to relax us and encourage us to come in for that spa treatment. How do you react to these subliminal motivators?
Better yet, how does color affect your photography? How we photograph is reflective of how color motivates us. I like bright bold colors, red being my favorite. In fact, as I write this post, I’m wearing a red blouse. I shy away from pastels, and you’ll never see me wear a soft pink! But, back to photography. My personal preferences are carried forth in what I choose to photograph.
If I see red, I’m going to photograph it. These umbrellas are an example. The umbrellas take up most of the image with a large splash of color. It draws attention and, for me, is exciting.
The canopy below is a much smaller representation of red, but it still caught my eye. It is small and in the background. Even though it’s small, it’s bright enough to pull you into the frame.
A photographed color can be soft and light, creating a sense of calm. Or, it can be bright, demanding our attention. These two flowers are an example of this. The soft pick versus the bright yellow and red. Which suits your mood? I know I said I’m not drawn to pink, but flowers are the exception.
Color can also fill the frame, be solid, or lead us through the frame. The orange pumpkin dominates, leaving me feel excited and wanting to bake pumpkin bread. While the soft yellow on the ground and trees accents the branches and glides us along the pathway, having me feel at peace.
Mother nature often paints her landscapes in duotone so the subject can stand out as does this cypress tree against the blue ocean. I could sit a long time watching the waves crash onto the shore, creating a calmness within me.
Or She paints a beautiful expansive vision of color as these poppies drape the hillside. This wild poppy field left me in awe of nature’s work.
I’m also drawn to rust which has a texture of its own, creating its own colorful patina. I can just feel the age of this wheel and admire its beautiful colors.
Before I close this challenge, I had a bit of color fun by processing selective color. This is the first time I’ve done this. Remember this photo, all that’s left in color are the red umbrellas. If you haven’t processed selective color, give it a try. It is fun!
And then there’s the rare “what is that!” Sometimes color surprises us. Wouldn’t you stop to take a picture of an old pink barn. Yes, even I did!
This week, show us how color affects your photography. What emotions does it bring to the surface? Which ones are you particularly drawn to? When you create your colorful expression, remember to link to this post and use the Lens-Artists tag.
Thank you, Sofia, for last week’s challenge that explained what bokeh is and how we use it as we photograph. We enjoyed seeing all your beautiful responses. Our guest host John RH, of John’s Space, will be presenting next week’s challenge. Be sure to visit his site.
Let’s hope you see more birds once I get my new Fuji 100 – 400 mm lens. To do most wildlife photography, I’ve been using my Nikon D7100 and an old metal F/4 300 mm prime lens. It was almost impossible for me to hold until Ray made me a short monopod that helps hold the camera and lens steady. The other problem is the Nikon itself. It’s not very good in low light. So photographing in cloudy and overcast days was difficult.
So, I finally decided to try the Fuji lens which I hope is lighter. It’s coming tomorrow. Meanwhile, Laura and I recently went to our local wildlife area in Yolo County, just across from Old Sacramento. The Yolo Bypass is a favorite for local photographers.
I was lucky to get a series of a great egret hunting for what ended up being a cricket, beetle or some other bug.
There were also some other birds.
And then two cormorants.
Get ready and fly.
I’m not sure what bird this is but….
And here are some landscapes taken with my Fuji.
Now, I’m anxious to test out my new lens, but we will have to wait!
Mother nature is fickle. Wind, rain and all sorts of weather can ruin crops and cause financial distress for the growers. It can also cause disappointment for photographers. Last year a BIG wind storm blew almond blossoms off trees, rendering them bare. It was a tough year for the growers. This year, I got sick the week we were to take advantage of a Yolo Art and Ag visit to an almond orchard. We went the next week knowing we couldn’t get on the property, but thought we could photograph from the road. However the blossoms were almost gone. What a difference a week can make!
I tried photographing through the fence. This is what I saw.
But we did see a field of old, rusted equipment. Now, I do love rust and its texture, photographing close up.
Not rusted, but if you like lines and angles, power line towers rule.
Always looking for something to photograph, we found these on the way to Winters for lunch.
After lunch, we walked about the town.
Will 2023 be the year we photograph almond blossoms? I hope so. If not rust will never disappoint!