Composition can make or break a photograph’s impact for the viewer. I always take the time to compose an image in the camera, but never really concentrated on why. In this week’s challenge Ritva explains why the background is an important component of composition. She explains that the background sets the mood and context of the image.

If you follow my posts, you know I love to create macros. In doing a macro, I’m setting the background to be soft and blurred, helping my subject (usually a flower) stand out. Sometimes the foreground can also be softened like in the tulip below. There’s no doubt as to the images’ subjects.

But sometimes a simple soft focus will be enough to spotlight a subject. In the images below, there is just a slight bokeh on the background–just enough to have the viewer’s eye go to the ladybugs on the leaf and the mushrooms attached to the tree. In these instances, I thought it was important that you understand the environment as well as having the subjects stand out.

Ritva also suggested that a black background and complimentary colors can help the subject stand out. The neutral colors of the lizard against the black along with the blurred flower help it be noticeable. The cat’s patchy orange face and coat are a stand out against the dark background and white midrange fence. And his yellow eyes are sure sending a message! I’m not going near that garbage can.

Negative space also sets the stage for viewer interpretation. These cormorants, one posed on a branch and the other in flight, attract attention on even a dull day because they make up most of the image with no background to interfere.

My next example needs the fore, mid and background in focus to tell its story of beauty, nature and serenity. What do you think?

Light is my last example. This is of the Sun Dial Bridge in Redding, CA. When it’s lit up at night it is spectacular. At the end, it is an actual sundial. During the day, it’s not as beautiful. If you are ever visiting northern California, near Redding, you have to visit it. It’s a walking bridge made of glass.

Now, thanks to Ritva, I’m aware of why I compose the way I do. And I’ll be more inclined to think of backgrounds as I am composing. When you respond to this challenge be sure to link to Ritva’s post and use the Lens-Artists tag.

Last week Donna had us concentrating on connections. It was a great exercise and I enjoyed seeing all your contributions. We connect on so many different levels. Next week, Egidio challenges us. I wonder what he has in store for us. Be sure to look for his post.

Have a wonderful photo week and stay safe!

33 thoughts on “Lens Artists Challenge #304: Behind”

  1. Another stunning post, Anne. There is so much you teach us with these wonderful background examples. Whether with a macro or a longer shot showing the surroundings, your details shine in each image.

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  4. yes, we do compose photos, and really often we do it instinctively not thinking about it as you write, but you have shown great examples of what it looks like when it works, the last shot is great, and the animals are so beautifully spotlighted. What a great post Anne

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  5. I find it hard to believe you don’t usually think about why you compose a shot a particular way, as your images are always beautifully composed, especially your macros 🙂 These are great examples, and I also like your important point that sometimes fore, mid and background all need to be in focus.

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    1. Thanks Sarah. I really don’t think about how or why I compose a photo the way I do. I remember when I first started photography and we were camping. I squatted down to get the landscape while my husband stood up to take the same picture. He asked me why I squatted and I said to get a better picture. I also don’t think too much about the exposure triangle when I shoot. I just move dials until I have what I want. The great thing about a Fuji camera is that it shows the scene as it will take it in the viewfinder. I guess I just have good instincts.

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