Lens Artists Challenge #284: Day and Night

Do you look forward to night photography? It is more challenging, but there are rewards. But daytime gives us more variations of light with which to work. I’ll photograph whenever I can. This week Sofia asks us to show off our day and night photography. So here goes.

We start at the beginning with frozen toes in Yosemite Valley capturing the first light at Yosemite Falls. This was 9 years ago and I was very new at photography. It was a good thing my friend Laura got me out there in the bitter cold. It was worth it!

Pretty soon the sun becomes more intense and we run for shade. It’s nice how the direct sun highlights form and colors. Of course that intense sun can also warm our backs and cast our shadows.

When the sun is low in the sky, it backlights objects, like this giraffe, with a warm glow.

We all love to capture sunsets with their beautiful colors.

During a full moon, like the sun, the moon casts its own light as seen on this lake.

In total darkness we can capture ambient light and also have some creative fun.

As I said, although I prefer the golden and blue hours, I’ll take my camera out any time and have fun. Thank you Sofia for this wonderful challenge. When you respond, please remember to link to Sofia’s original post and use the Lens-Artists tag.

I enjoyed reading your poems and seeing your related images last week prompted by Ann-Christine. Some of you had creative and enjoyable responses. Next week Egidio leads his first challenge so be sure to look for his blog.

Take care everyone and stay safe!

A lesson learned: Moonlight Madness, Sacramento, California

I’ve only taken one photography course, and that was a dismal experience. I didn’t learn anything, and the, realizing what I knew, teacher asked, “Why are you here?” Since then, I’ve learned from other photographers. Yes, I’m self-taught–with a good deal of help.

On Wednesday night, I learned how to shoot the moon just before the blue hour. Janet invited me to the Capitol Mall in downtown Sacramento. It’s a good thing I asked her what lenses to bring, etc. I thought we’d be night shooting and we’d need long shutter speed. Fortunately, she sent me the photo she took last year and said she shot it with a 300 mm lens. Wow, was I on the wrong page!

So, I packed my F4/300 mm fixed and 55 – 300 mm lenses and tripod. When we arrived, she told me I needed to shoot with a fast shutter speed, at least 125, to stop the moon’s movement. While we were setting up, she showed me how to use live view to focus on the State Capitol Building and moon. Then the moon rose–on the opposite side of the capitol. We all scurried to get the shot. I was amazed at how fast the moon moved away from the building.

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After we finished shooting the moon, and were pretty much packed up, I turned around and caught the last of the sunset on the Tower Bridge. I shot it hand-held.

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Thank you Janet for your guidance and help. Yes, I do learn from other photographers who are willing to share their expertise.